Review: Buried: An Alternative History of the First Millennium in Britain by Alice Roberts

★★★★☆ | Book 18 of 2024 — another wonderful book from Alice Roberts highlighting stories of the dead in Britain, and what bones and burials can tell us about past people.


Buried: An Alternative History of the First Millennium in Britain by osteoarchaeologist and professor Alice Roberts is the second book in her trilogy unpacking Britains history through skeletal remains. Following from Ancestors which focuses on the prehistory of Britain in seven burials, Buried instead focuses on Britain in the first millennium CE, through Roman Britain, contact with the Vikings and the spread of Christianity across the country. Roberts utilises modern and up to date evidence including skeletal remains, archaeological evidence, and DNA research to interrogate what we know about Britain during this period, and how we know it.

Probably because it spans a period where there is more available evidence from various contexts, Buried, spends more time discussing the more general historical environment, and contextualising the burials within a wider picture. The first chapter delves into a fascinating Roman cremation burial at Caerleon called the ‘Caerleon pipe burial’ named so because of the lead pipe sticking out of the top of the lead canister full of cremated remains that would have once stuck out of the ground. Roberts discusses the potential explanations for this unique burial, while also highlighting the historical period of Roman Britain more broadly, and the history more specifically of Caerleon. You finish the chapter feeling as though you were taken along for the ride whilst Roberts evaluated the various possibilities of the person buried, and why they had a lead pipe connecting their burial to the living world above them.

This is the general set up for each chapter focussing on a different part of the United Kingdom, and a different burial. The second chapter explored a Roman villa associated with numerous infant burials, and another chapter introduces the overall concept of ‘deviant burials’ which essentially means irregular or strange burials, and this concept is introduced with the headless skeletons found at Great Whelnetham. These burials were decapitated, sometimes with the skulls found between the legs, and some were even prone or face down. Roberts discusses Anglo-Saxon history in Britain (and even delves into the issues of using the term ‘Anglo-Saxon’ in the first place) and broadens her discussion even further with the Staffordshire hoard and the issues archaeologists face when dealing with hoards of artefacts.

By the end of the book, after learning about Roman Britain, Anglo-Saxon history, Viking connections and even the very first churchyards used as cemeteries, the reader truly feels well versed in the various and wide-ranging burial practices that were utilised in Britain during the first millennium. I think Roberts does a wonderful job at connecting the modern reader with the ancient inhabitants of Britain, reminding us that they, like us, were individuals who lived lives that didn’t necessarily fit a mould, as highlighted with the range of burial goods, and the numerous deviant burials. A wonderful addition to this book was the colour images insert, and the lovely illustrations at the beginning of each chapter that set the reader up for the kind of burials and artefacts featured in the coming section. As with Ancestors, I feel like having maps throughout, or one map at the beginning highlighting all the areas discussed would be really beneficial, especially for those not from Britain.

Overall, this was a fascinating, well-written and insightful analysis of Britain in the first millennium, utilising the most recent evidence and the authors incredible expertise.

Review: River Kings by Cat Jarman

★★★★☆ — thanks to Pegasus Books for providing me with the e-book of River Kings! In true Kelly fashion though, I did eventually go out and buy a paperback edition as well.


River Kings, written by bioarchaeologist Cat Jarman (who is also a field archaeologist who specialises in the Viking Period) takes a small carnelian bead found in the site of Repton and follows what may have been its journey through the Viking world all the way to Baghdad and India. Jarman works with DNA analysis, isotope analysis and radiocarbon dating of the archaeological finds to trace the Vikings from Britain, through Scandinavia and ultimately uncovers greater interaction and movement between the west and the east. Jarman uses these new scientific methods to gain new information from the bones and teeth of bodies we have known about for years, but now we can understand through the isotope analyses of bones and teeth where these people were born, their some of their migration history and even the type of diet they had. Using new scientific discoveries, archaeological evidence and the historical record (taking into account their bias and unreliability), Jarman starts in Repton, Darbyshire and follows the journey of a single carnelian bead through the world of the Vikings, using other objects as stepping stones to gain a new understanding of the movement and trade in the Viking world between Britain and as far as Gujarat, India, where the carnelian bead may have begun its journey.

At the beginning of each chapter, Jarman contextualises the object that will be the focus of the coming chapter in either a fictional or non-fictional way, imagining how it may have been used in the Viking world, or telling us of its modern history such as when it was discovered. It made me think of the structure of The Real Valkyrie which did something very similar at the beginning of each chapter! Early on, Jarman highlights issues she and other scholars and archaeologists face when interpreting evidence from the Viking world and doesn't hesitate to err on the side of caution when proposing solutions for issues in the book. Jarman introduced the old information, the new scientific information and even the biased and unreliable historical information and then proposes a tentative conclusion that gives the reader the opportunity to agree with her interpretation of the evidence, or to disagree. Her own personal experiences and insights really enriched the book, and gave weight to her suggestions and conclusions throughout the book.

The graves we find are multifaceted: we have no way of knowing whether those items even belonged to the deceased or whether they were gifts placed there by the mourners. They may not even reflect much about the person’s life… The dead do not bury themselves. (21)

…but unless you have another form of proof, it is practically impossible to prove the intention behind their death (38).

I am fascinated with the archaeology of death, and Jarman takes the time to highlight the issues surrounding interpretations of bodies, grave goods, identities and even the intention behind violent deaths and she does it succinctly, and early on in her book which really sets the tone for her interpretations and tentative conclusions later on. Jarman suggests caution when interpreting scientific evidence, and that we can only glean so much from the bones and the teeth about an individual. Honestly, it completely blew my mind, the things that we can learn from the different types of scientific dating and analysis.

Jarman dedicates much of her book to women in the Viking world and their place in the archaeological record, as well as slaves and their lack of representation in the record despite the lucrative slave trade we know was being conducted during this time. So much of this book fascinated me, and one of those things was how the early work at Repton overlooked women due to their skewed views on women at the time. Not to mention the dispute over the warrior woman found at Birka and the interesting discourse surrounding her. It has been questioned that just because she was buried with weapons does that make her a warrior in life, but these kinds of questions aren’t ever asked about men buried with weapons… Another topic of personal fascination is the discussion around how we cannot know the social significance and meaning of exotic goods in the Viking social context, and the recontextualising of material objects between different groups and cultures can transform their purpose and function. Were they a show of status and wealth? Did exotic goods show an individual’s power?

…genetics is not going to give us the ultimate answers: cultures and identities are far more complex and there is no such thing as a ‘genetic Viking.’ (128)

River Kings is like a stepping stone to even more answers about the Vikings, the objects they left behind and their, movement throughout their known world. As more testing is conducted and new evidence is found, more and more will be understood about the Vikings, and this book is like the first piece of the puzzle on the journey to understanding the whole picture. Not only does Jarman work to understand how a single carnelian bead ended up in a Viking burial at Repton, but she stresses the importance of our understanding of how these types of objects fit into the wider Viking world. This book is a truly rich insight into the trade and movements of people, beliefs and objects in the Viking world, and I could not recommend it enough to any lover of archaeology, ancient trading and the Vikings.

Have you read River Kings? What did you think of it? Do you have any book recommendations for lovers of Vikings? Let me know in the comments of this post, or over on my Instagram @kell_read

October Wrap Up 2021

What a month! The spooky season is over for another year, and I know I’ve said it already multiple times this year, but this was the quickest month I’ve ever experienced. I was thinking about maybe reading some spooky books, but I knew deep down that wasn’t going to happen due to how I am 100% a mood reader.


I finished five books this month; two audiobooks, two non fiction and one re-read and it was such a wonderful month of reading! The fact that I read two non-fictions in one month (again!) astounds me, but I guess since one of them was all about Greek pottery and was half images helps understand it better.

★★★★☆

The first book I finished in October was Raelia by Lynette Noni. Raelia is the second book in the Medoran Chronicles which follows Alex, a teenage girl from Earth (Freya), who finds herself in a completely different world. This world, Medora, is full of gifted humans and other races of mortals, but most notable, the mysterious immortal race of the Meyarins and their lost city of Meya. I listened to the audiobook of Raelia and it was fantastic! It’s getting more intense, the stakes are getting higher, and the Stealth and Subterfuge part of this book was such a highlight!

★★★★★

The second book I read this month was To Kill a Mockingbird by Harper Lee. This was a re read and a buddy read with my lovely friend Myrthe over at SunflowerWinters, and it was truly a lovely time. To Kill a Mockingbird is one of those books I read for the first time when I was younger, about 13, and I have re read it multiple times since then (with one of those times being to study it in school). Although I definitely got more out of it in this re read, and there are subtle nuances that definitely went over my head in previous readings, the nostalgia that is connected to this book will always be there. I adore Scout as the narrator, and Atticus is one of the best father figures I have ever encountered in a piece of literary work. This will always be a favourite book, and a huge comfort read for me.

★★★★☆.5

Book number three for October was The Greek Vase: Art of the Story Teller by John H. Oakley, and it was my first non-fiction read of the month. This richly illustrated book takes you on a journey through the history, creation, use and decoration of vessels from Ancient Greece from c. 800 BCE through to the Classical Period. Oakley takes you through the changes in designs throughout the years and reasons for fluctuation in subject choice, he takes you through the specific functions of each different type of vessel, and how often, the form, function and design are all interrelated. There were sections that delved into depictions of the gods and deities of Greek mythology, daily life of the ancient Greeks, and one of my favourite sections, the discussion around the makers of the vessels. I loved learning about how we have attributed some potters and painters to particular vessels, even if they didn't sign them. It’s all so fascinating, and if you haven’t noticed by now, I absolutely LOVE learning about pottery.

★★★★☆.5

Coming to book number four is my favourite book of the month, and thats Draekora by Lynette Noni, the third book in the Medoran Chronicles. Once again I listened to the audiobook, and if I haven’t been clear thus far - I would highly recommend listening to the audiobook. The narrator is fantastic and you get so immersed into the story it’s hard to stop listening (I’m pretty sure I finished this book at 2am because I just couldn’t stop listening, the suspense was too much). In this instalment, you get a lot more Meya, and you get to learn a lot more about the Meyarins that you’re already familiar with, plus the brand new Draekora, and a couple of new characters (one of which has become my absolute favourite in the series). These books just keep getting more and more intense, and whenever I think Alex is in the clear and things are going her way, the plot does a 180 and I’m left completely stunned. If I had to wait for each of these books as they were released, I would have gone crazy. I am SO glad I get to just binge listen to this series. Read these books!!!!

★★★☆☆.75

The final book I finished in October is a book I’ve been reading since September, and that’s The Celtic Myths That Shape the Way We Think by Mark Williams. I was kindly gifted a copy of this stunning book from Thames & Hudson to review both for my blog but also for World History Encyclopedia, so thankyou again Thames & Hudson! This book was a huge undertaking by Williams, who not only summaries the myths and legends in question, but also went into the language, the sources we know them from and their presence in modern literature and pop culture. I really enjoyed it but you would definitely get more out of it if you’re already familiar with the characters and myths, and even just the language of Celtic folklore. This quote really encapsulates the book perfectly.

Once again we are reminded that what we call ‘Celtic mythology’ is not a pure substance handed down from the pagan past, but a rich amalgam that developed over centuries.’ (213)

So that’s it for my October wrap up, hope you enjoyed reading this rundown of the books I read this month! Come and let me know over on Instagram (@kell_read) what genre you read the most this month on my wrap up reel!

Review: The Greek Vase - The Art of the Storyteller by John H. Oakley

★★★★☆.5 - more than just a coffee table book!


The Greek Vase: The Art of the Storyteller by John H.Oakley is a richly illustrated guide to everything you need to know about Ancient Greek Pottery. This book has images on every single page of pottery from Ancient Greece, beautifully photographed and well described. This book has six main sections; Fabric, Form and Function, Potters and Painters, Depicting the Divine, Meeting the Myth Makers, A Life Well-Lived and Seducing the Senses. These sections take you through the different forms of pottery and in what contexts they would be used. They explain in detail the main decorative forms including red-figure, black-figure and white-ground, and the changes in preference for each of the design types. I absolutely loved the section ‘Potters and Painters’ which takes you through how some potters and painters have been identified and how analysing drawing styles isn’t as easy as it sounds. Pottery has been traced back to the workshop in which they were manufactured, and in some instances, pottery has been inscribed with names which makes it clear it was a family skill, passed from father to son. Honestly, the detail that was put into the designs of ancient pottery, and the fact that so many have survived so well for so long absolutely blows me away. I never thought I would love ancient pottery quite this much.

One of the most fascinating points made in ‘Meeting the Myth Makers’ is the fluctuation in preference for pottery designs, with the political changes in Athens which is clear in the decline of vases decorated Herakles and his labours (which were very popular prior to 508/7 BCE), and the increase in the depiction of Theseus during democratic Athens. The detail in which Oakley analysed the depiction of gods, goddesses and other deities was fascinating, and he posed the issue multiple times that most of the divine were depicted as humans, so pottery without the names of the figures depicted can often be analysed in multiple ways. From mythology to everyday life like sports and theatre, to weddings and funerals, the greek vase was present in every aspect of Ancient Greek life, and so much of life was depicted on them. We know so much about the daily life of the Greeks, and the Athenians specifically, from the decorative designs on pottery. The detail this book went into was an unexpected surprise, but a very happy surprise nonetheless. It truly broadened my knowledge of artistic features, function, development and ways in which to analyse Ancient Greek Pottery, and the sheer number of images accompanying the text elevates it that much more. I would recommend this book to any and all lovers of Ancient Greece, pottery, or ancient art in general!

Review: Sex and Sexuality in Ancient Rome by L J Trafford

★★★★☆ I was provided with this ARC for a review from Netgalley


What’s the book about? 

IMG_3077.jpg

With this one, the entire premise of the book is in the title- Sex and Sexuality in Ancient Rome. Trafford begins by outlining the language used in Ancient Rome that has anything to do with sex or sexuality, she introduces these concepts and then explains them so you aren’t left lost throughout the book when they inevitably come up again. She then travels through the intricate and somewhat scandalous history of sex in Ancient Rome from the perfect virtuous man and the ideal chaste woman, to how to find a woman and who you are and are not meant to be seen fondling in the forum. She details erotic wall paintings and statues, the concept of witchcraft, the tantalising beauty and fashion and what was all the rage to help you pull on the streets of Rome. Not to mention, Trafford takes it upon herself to tell us all about the sexual exploits of the most well-known figures from Ancient Rome, and she does all this with ample evidence (both textual and archaeological). In short, Trafford answers everything you have ever wanted (and really not wanted) to know about sex and sexuality in Ancient Rome! 

My thoughts on the book

Sex was very much on public display in ancient Rome. It was depicted in art, discussed in poetry, scrawled on walls and used in politics to smear your opponent. (x-xi)

IMG_3076.jpg

This book was a massive undertaking, and may I say the L J Trafford understood the task and executed it incredibly well. In this book, you will find chapters named things like Getting Down to Business: Sex, Sexual Problems and Solutions, Undesirable Partners and How to be Sexy: Beauty and Fashion (just to give you an idea of the types of things discussed)! As a fairly short book (sitting at only 197 pages), Trafford condenses everything you need to know about the Romans in a way that is really easy to read. Her language is colloquial, and her quips and inputs into some of the debauchery that went on in Ancient Rome made me laugh out loud. With her hilarious commentary comes an obvious attempt to remove any modern bias that could be placed upon the way sex, marriage, relationships and all that was used and experienced in Ancient Rome. She reminds the reader over and over that there isn’t really any way we can fully understand the meanings behind the erotic images, or the social importance embedded into the rules and laws attached to relationships and sex, but we can do our best! I loved that as Trafford was discussing some facet of Roman sexual experience, she would then bring in detailed case studies and examples from history.

We simply cannot know because we do not share the same cultural background and baggage. The imagery and what it means is lost to us. (158)

Although sometimes Trafford seemed to take the poetry and writings of men like Ovid and Catullus at face value, often she used it to help build the whole picture around the topic she was handling at that time. It is unsurprising that the book was focused on men and boys and what was expected of them (both from an imperial lens, but also the freedmen and slaves) rather than women for the pure reason that we have a lot more information on men than women. With that being said, Trafford interspersed what we do know about women (imperial, slaves, prostitutes etc) throughout the book in what seemed like as much detail that was available. It was really wonderful to see different types of evidence (images, paintings, statues and literature), all used together to try and piece together just what sex was like in Ancient Rome, and although it was a quick tour, it was still detailed and highly enjoyable.

Review: The Real Valkyrie: The Hidden History of Viking Warrior Women by Nancy Marie Brown

★★★★☆ I was provided this ARC for a review from St. Martin’s Press. You can find my interview with Nancy on Youtube, and a reduced transcription of it on World History Encyclopedia!


IMG_3031.jpg

What’s the book about?

The Real Valkyrie: The Hidden History of Viking Warrior Women by Nancy Marie Brown is, at its core, working to dispel the myth that Viking women stayed at home whilst the Viking men raided and traded. In 2017, DNA tests revealed that the body buried in grave Bj581 outside the Swedish town of Birka between 913 and 980 wasn’t the body of a male Viking warrior as initially assumed, but that of a female in her thirties or forties. Buried with the body was numerous weapons including an axe blade, spearheads a two-edges sword, a sax knife and a short bladed knife as well as a set of game pieces, a whetstone, traders weights, a comb, a bronze bowl and two horses (among other things). The assemblage of this burial initially caused assumption that the body was of a male, and specifically a warrior, but since we now know that it’s a woman buried with this warriors assemblage, Nancy has taken it upon herself to write a book highlighting what feels like all the times women proved their worth in the Viking Age, and the times their strength, cunning and ruthlessness was assumed as myth.

Thoughts on the book

It is obvious that this book was extensively researched. Nancy utilises sagas, poems and epics of the Vikings in conjunction with archaeological and historical evidence to question the way in which females from the Viking Age have been viewed for centuries. Rather than simply providing the evidence that women from the Viking Age have been sorely misremembered thanks to the act of sexing graves by metal, the reflection of Victorian sensibilities of the nineteenth century placed on the Viking Age and the tendency for Icelandic writers of the 12th and 13th centuries (I’m looking at you Snorri Sturluson) to mythologise and generalise the female warriors as valkyries, Nancy merges fiction and solid evidence which captures the readers interest. In order to humanise the skeleton found in Birka, Nancy names the body from Bj581 Hervor, which translates to something like Aware of Battle, after the warrior woman from the old Norse poem Hervor’s Song. Nancy begins each chapter with a fictionalised story, a bit of what Hervor from burial Bj581’s life could have been like, based upon the historical, textual and archaeological evidence provided throughout the book. Nancy not only provides the evidence for warrior women, but then imagines just how a Viking woman could have lived during the time of Bj581’s life. I found it incredibly fascinating and enjoyable to read how the physical evidence may have been interacted with during the Viking Age, in addition to these imagined sections being a breath of fresh air amidst a detailed and well researched book. One thing that annoyed me through this book was when ‘an archaeologist states,’ or an ‘expert historian says…’ I’d LOVE to know which one.

IMG_3032.jpg

Not only does Nancy debunk common beliefs that Viking women were buried with keys which signified their role as housewives, (whereas men were buried with weapons which signified their roles as warriors, raiders and traders), she exposes the bias placed onto the sagas, poems and written sources we have of the Viking Age which were all written a few hundred years after the fact. These biases come from both the values of Victorian society and Christianity, where women were confined to the home. These strict gender lines, as shown through the extensive historical and archaeological evidence provided by Nancy, simply were not there during the Viking Age. Looking at Viking women’s graves alone shows how weapons were more commonplace than keys. I loved the incorporation of other female warriors which we know of from poems as saga’s, as well as historical Viking queens detailed in concurrence with archaeological evidence found throughout the Viking world. Going into detail about clothing, textiles, trade, architecture, boats, social hierarchies, Norse legends, historical and mythological figures and everything in between, no stone is left unturned in this detailed look at the importance of women, their roles and their importance in the Viking world. If you’re interested in relearning everything you think you know about women, queens and female warriors in the Viking Age, then you should definitely pick this book up.

Review: Venus & Aphrodite: History of a Goddess by Bettany Hughes

★★★★☆.5 I am only now getting into reading non-fiction books for fun, and not for uni or work so I’m still working on how I feel about rating them. With that being said, overall I really enjoyed reading this book.


What's the book about?

FullSizeRender 9.jpg

Venus & Aphrodite: History of a Goddess by Bettany Hughes is a light, easy read which follows the history of the goddess best known as Venus or Aphrodite, from her beginnings to the modern reception of the goddess. Using archaeological evidence with textual sources and more recent artworks and literature, Bettany traces the origins of the goddess of love, and both her movements and developments through history.

As some will know, Aphrodite is the Ancient Greek goddess of love, desire, beauty and sexuality, and Venus is the Roman counterpart to Aphrodite, and held dominion over fertility, prostitution and victory. However, as Bettany delves into in the first few chapters of her book, Aphrodite didn’t just appear in the artwork and literature of Ancient Greece suddenly, but evolved from both the Cypriot spirit of procreation and fertility, as well as the Near Eastern goddesses of war Inanna, Astarte and Ishtar. Beginning from both the mythological beginnings of Aphrodite (with the castration of Ouranos, and the goddess emerging from the sea foam caused by the god’s genitals falling into the ocean), as well as the archaeological beginnings, and moving all the way through the renaissance depictions and the morphing of her dominions and depictions through to the modern-day, Bettany has provided an accessible and easy to read guide to the goddess and her history.

“A potent idea, given a name and a face across five millennia, this deity is the incarnation of fear as well as love, of pain as well as pleasure, of the agony and ecstasy of desire”

thoughts and feelings

FullSizeRender 7.jpg

From the very first page, I knew this was going to be a far easier read than I was initially anticipating. Bettany has written this book as if she was just chatting to a mate, and honestly, I loved that. Although it initially caught me off guard, it made it so much more appealing, and tempted me to pick it up more often knowing that the language used was easygoing. The colloquial language, however, doesn’t take away from the importance of this goddess, and her significance throughout history, especially in ancient civilisations. What Bettany has done, is a thorough investigation on the goddess, and then turned that hard evidence into a book that is easily understood and accessible to anyone. Bettany has achieved the goal of bringing archaeological and historical facts into the world in an easy to read and enjoyable book, and I love it! Her addition of images throughout the book, both in black and white dispersed through the book, and in the middle which is full of coloured images, makes it all the more interesting, especially in the discussions around the changes in the physical depictions of the goddess.

“It [desire] is the life force that spurs us on to do, to be, to think.”

I love that it was a short, easy read. It means that there’s a far better chance that more people will pick it up (and I love the idea that the ancient world is becoming something more open and available). But, some points Bettany made, I felt like I wanted more evidence that backed up her conclusion. I am sure that she has done her research, and I don’t doubt any of the statements or conclusions she has come to in this fascinating history, but I would have loved just a bit more depth into some of the evidence (whether it be archaeological or textual), that she has used to form her conclusions. In saying that, I always want more out of my books, and I commend her for making this book so full of information, and yet so easy to read.

I definitely feel like the goddess Aphrodite/Venus has been simplified into the goddess of sex and desire with little substance, and this book is out here to remind the world that she is so much more. Bettany explores the goddesses roots in the war-goddesses of the Near East (Inanna, Ishtar and Astarte), and brings to the forefront the seemingly contradictory beginnings of this goddess through love, desire and war. This book details just how much the attitudes towards the goddess has developed throughout the millennia, and what her body and her symbols have meant throughout the years. The complexities of Aphrodite/Venus have been written and painted out of history in the last thousand years, and this book is bringing back the intricacy of this goddess, which will hopefully culminate in the respect and adoration she deserves.

Have you read Venus & Aphrodite: History of a Goddess by Bettany Hughes? What did you think of it? I would love to chat about this book, either in the comments below, or find me over on Instagram @kell_read.