Review: Arcadian Days by John Spurling

Arcadian Days: Gods, Women, and Men from Greek Myths ★★★ | Book thirty-five of 2023 | e-book


John Spurling has crafted a lyrical retelling of some well-known Greek myths, weaving these seemingly disparate stories together with subtle themes. The most prominent common factor throughout this collection of retellings is each features a prominent woman or female deity at the heart of the story. Where his first book, Arcadian Nights, centres around four figures based in the Peloponnese, his new book Arcadian Days features five of the best-known myths from all around Greece. These stories are Prometheus and Pandora, Jason and Medea, Oedipus and Antigone, Achilles and Thetis, and Odysseus and Penelope. Entwined through these overarching stories are smaller myths and other strong women, such as Atalanta, as featured with Jason and the Argonauts, and Penthesilea, the Amazon warrior who goes head to head with the great Achilles.

But if it is difficult for us sometimes to understand the motives of these gods, they themselves often seem unable to interpret the feelings of mortals (170).

This collection of myths draws upon the ancient Greek texts by Homer, Hesiod, and the three tragedians – Aeschylus, Sophocles, and Euripides – while also incorporating Spurling's own voice to fill in gaps and weave a complete story. Arcadian Days has been written for the general public and would be a great starting point for anyone looking to read a new, accessible retelling of some of the most famous Greek myths. The author (as all have to when retelling myths) makes some specific translation decisions that strike me as something of a personal preference, and his clear choice for Achilles and Patroclus to be depicted as just close friends was an interesting decision amidst the fairly popular view that the relationship between these two warriors transcends simple friendship. Personally, some of the decisions Spurling makes with some of these stories and characters don’t feel like they are up to date with modern views and ideas. There were parts that made me think, ‘hmm, interesting decision.’ Of course, retellings are at the prerogative of the author, and what one person (me) may not love, may be someone else’s perfect cup of tea. That being said, it was still well-written and very engaging.

As the stories progress, Spurling often makes comments on the goings-on and offers potential explanations for decisions made by the players in the tale. It feels as though the omniscient author is speaking right to you, which makes the book feel more personal. This commentary seems to answer questions the reader may be thinking and makes fascinating contemplation over the role of the gods. Each myth is written in slightly different styles, with the retelling of Odysseus' journey in the last section written as Odysseus telling his own story to the reader. This helps differentiate the different tales, whilst also capturing the reader in different ways. The stories also explore what it means to be mortal, particularly with his quote in relation to the new armour created by Hephaestus for Achilles, requested by his mother Thetis:

Yes, it was also made to be a shield. And, with all these layers of metal, a real shield to be carried into battle so as to ward off spears and be battered by rocks and the strokes of swords. To submit to time and mortality, like its owner' (164).

Thank you to Pegasus Books for providing a PDF copy of Arcadian Days for review.

Review: Elektra by Jennifer Saint

Elektra ★★★★☆ | Book twenty seven of 2023 | paperback


Elektra by Jennifer Saint, despite the name, follows the lives of three women from ancient Greek mythology: Clytemnestra, Cassandra, and Elektra. The lives of these women are intertwined through this book through their three points of view as Saint draws comparisons between the women and their journeys through hope, grief, revenge, and peace.

Cassandra, the princess of Troy and sister to Paris, cursed with the gift of prophecy only to never be believed was my favourite of the three women. By disallowing Apollo to take what he believes he deserves after granting her with the gift of prophecy, she is cursed and shunned by her family and her people. Her powerlessness despite her wisdom and her continuous desire to help, to be heard, struck me time and time again.

Such a man speaks poetry in place of facts and thinks he tells a higher truth when all he spins is fantasy (67-68)

One of my favourite aspects of this book was the transformation of Clytemnestra, from a young woman to a loving mother, to having her child murdered by her husband in front of her eyes. The overwhelming grief and need for revenge that radiated from her throughout the novel was almost tangible. Clytemnstra is branded as a murderer who finally gets whats coming to her at the hands of her own son, but Saint reminds us of the grief that must have driven her hand. Saint reminds us that Clytemnestra lived through the worst betrayal, and her shift in demeaner caused by heartbreak humanises her in a way Greek tragedy does not.

Nothing brought them more joy than the fall of a lovely woman. They picked over her reputation like vultures, scavenging for every scrap of flesh they could devour (87)

Saint presents the Curse of Atreus and the Trojan War being experienced by the women. We don’t read pages upon pages of bloodshed from the battle, but the effect these events had on the women in Troy, and in Mycenae. The most striking element to Elektra was the nuance of Saint’s retelling — despite Cassandra, Clytemnestra, Elektra and even Helen all being women living through war, and despite these women being on different sides of the war, Saint binds these women together through shared experiences, while also conveying the varying ways people react to the same events. Elektra holds her father in the highest regard to the final page, believing his sacrifice of her sister was as the gods demanded, all while Clytemnestra kills Agamemnon for her children, assuaging her grief for Iphigenia. In the final moments of Cassandra and Clytemnestra, the women are the same in their desire for peace. Elektra being feulled by revenge as she always hated her mother for, and for her belief that Cassandra was lucky to have been chosen as a slave by such a great king as her father.

This book was a beautiful retelling of a brutal and bloody episode of Greek myth.

Review: Mythos by Stephen Fry

★★★★☆.5 | paperback | book eight of 2022


Mythos: The Greek Myths Retold by Stephen Fry is his first book in his Great Mythology series and a book that has been physically on my shelf for years (probably since it came out in 2017). Stephen Fry has compiled the core myths from Greek mythology, beginning with the cosmogony or creation of the universe with the protogenoi or primordial god Chaos who was quickly followed by Gaia (Earth), Tartarus (the depths), Erebus (darkness), Nyx (night), Hemera (day) and Aether (light). Fry does a wonderful job conveying the beginning of existence, and then moves through the development of the world with the Titans, the Olympian gods, the nymphs, the lesser gods, and all other divine beings.

“The Greeks created gods that were in their image; warlike but creative, wise but ferocious, loving but jealous, tender but brutal, compassionate, but vengeful.”

Fry does an exceptional job at creating a somewhat linear narrative for all of these myths that were undoubtedly collected from numerous ancient sources and authors. After introducing our main gods and their stories, Fry takes us through many of Zeus’ conquests, stories of divine revenge and retribution, and popular stories featuring our Olympian gods. There are a lot of retellings in the world, but this one’s by far one of the most entertaining ones I have read. The thing about myths is that even in the ancient world, they were adapted and changed, so any colloquialisms and quips added into these stories by Fry is simply a continuation of a three-thousand-year long tradition. Fry comments at the end of his book that great ancient writers like Ovid took creative license to these stories, and this fact emboldened him to be as imaginative as he wanted in his retellings.

“Gaia visited her daughter Mnemosyne, who was busy being unpronounceable.”

Although there were a couple of comments and additions here and there that I didn’t exactly like/enjoy or didn't think were necessary, overall I greatly enjoyed Fry’s tone and writing style. He has re-written these stories in a lighthearted way, adding in dialogue and mannerisms that he thinks fit, but without losing the essence of the myth or the heart of the story. I would say that this compilation of myths would be a wonderful place to start for people looking to familiarise themselves with the gods of Greek mythology, but don’t want to dive into Hesiod or Pseudo-Apollodorus just yet. You will undoubtedly leave this book with a detailed overview of the foundation myths and beliefs of the Ancient Greeks, and you will definitely enjoy the ride. I was also pleasantly surprised by the number of footnotes about Greek myth in Shakespeare.

Have you read any of Stephen Fry’s Greek Mythology books? What did you think of this one? Let me know in the comments on Instagram!

December Wrap up 2021

The very last month of the year was a bit of a weird one for me, and you can tell I needed some comfort reads! I really ended 2021 with a bang, finishing both Vardaesia and the Aeneid, and then reading another eight books and one novella. It helps that the weather was beautiful and I was on holidays for the last week and a half of the month. Also, I always read the Percy Jackson books really quickly because they’re so easy and hard to put down. So, without further ado, here is my final wrap up post for 2021!


I finished off the Medoran Chronicles series by Lynette Noni this month, which was a bitter sweet moment for me. It let this melancholic feeling in my chest, and the book hangover feeling was strong. I can’t say much about Vardaesia or A Very Medoran Kaldoras: Part One without spoiling the entire series but what I can say is that it was a brilliant ending to one of the best Young Adult series I have ever read. It was heartbreaking and uplifting and I felt so many emotions listening to Vardaesia, I was completely encapsulated. A Very Medoran Kaldoras: Part One is a bonus novella that is set a year after the ending of Vardaesia, and it was just this bonus glimpse into the lives of our favourite characters which I absolutely adored. It ended on a cliffhanger by Lynette has since blessed us with a part two, and that is truly a Christmas miracle. I’ve said it before and I’ll say it again, please read this series!!! Vardaesia ★★★★★ // A Very Medoran Kaldoras: Part One ★★★★☆.

★★★★☆

After buddy reading The Aeneid with Lorna over at unexpectedlearningjourney it was really wonderful to finally finish it! Reading it with Lorna was such a great experience, since she really brought her Latin expertise to the buddy read, and went so far as to translate some passages herself. Although I had a couple of issues with my translation, it was really cool to compare translation choices between my edition and Lorna’s, which really highlighted the challenges of translation. It was really enlightening, and of course the epic poem itself was really fascinating. The links to Homer’s Iliad and Odyssey throughout were always interesting to find, and the tale as a founding myth of Rome is such a great insight into the way the Romans viewed themselves and their connection to the Greeks at the beginning of their Empire.

The whole series gets ★★★★★

Next up this month was my re-read of the entire Percy Jackson and the Olympians series by Rick Riordan. The Percy Jackson series is a five book middle grade series the focusses on Percy Jackson, the son of the Greek god Poseidon and his other half-blood (also known as demigod) friends. In the first book, Percy is a 12 year old boy who finds out his father is a Greek god, he is introduced to camp half-blood where other kids of greek gods live and learn to fight and harness their powers. This series is very much a coming of age story that ends after Percy has turned 16, and during his often dangerous adventures with his friends, he turns into a courageous hero. This whole series is all about, friendship, loyalty, adventure and courage. Not only is it a heartwarming and epic tale, it also teaches you a lot of Greek mythology. Reading this series is a really wonderful way to become familiar with many of the myths and monsters of greek mythology, but it is also a lot of fun to read if you’re already familiar. The number of myths, creatures and stories from mythology that Rick Riordan has added to this series is mind-blowing and I feel like every time I read this series I notice more.

★★★★☆

In preparation for something very fun coming soon with my good friend Erica over at Moaninc, I re-read one of my favourite William Shakespeare plays of all time, A Midsummer Night’s Dream. A Midsummer Night’s Dream was written between 1594-1596 and was first published in 1600. It’s one of Shakespeare’s shorter plays and is classified as a comedy. The play has three distinctive groups of characters in the story with the Athenians, the fairies and the workers. The play is based around the marriage of Theseus the Greek hero to the Amazonian woman Hippolyta, and contains unrequited love, the meddling of fairies and a parody play of Pyramus and Thisbe at the conclusion to the play. It is such an enjoyable play, and definitely one of his easier plays to read and follow. It’s a really great play to begin you Shakespeare journey with, and for those lovers of mythology, Shakespeare drew a lot of inspiration from the writings of Ovid in many of his plays including A Midsummer Night’s Dream.

I continued on my Percy Jackson re-read with The Lost Hero by Rick Riordan, the first book in the Heroes of Olympus spin-off series that has your favourite characters but also introduces a whole heap of new characters too! I remember not enjoying this one quite as much as the the following books in the series because none of my favourite characters were in it (cough Percy and Annabeth cough), but I definitely enjoyed this one a lot more in this re-read. Maybe it’s because I am already familiar with the story, not sure. But the introduction of new characters like Jason, Piper, Leo and Coach Hedge just adds a new dynamic to the series, and the world of Camp Half-Blood. The stakes are higher and the enemy is even more dangerous, with old monsters returning to the living world that have been slumbering for thousands of years. Rick Riordan continues to add many new myths and monsters from Greek mythology into his books, but this time, he starts introducing the Roman names.

My final read for 2021 was The Son of Neptune by Rick Riordan, the second book in the Heroes of Olympus series, and as you can tell from the title, there’s something a bit different about this book. Neptune is the Roman name for the god Poseidon, which right from the beginning suggests something different is going on. In this book, we get introduced to a new camp for half-bloods, Camp Jupiter, but these demigods are children of the Roman form of the gods which were similar but different. I absolutely LOVE the incorporation of a Roman camp and the Roman versions of the gods. It adds a whole other layer to the series, and the fact that Percy remembers Annabeth the entire time makes my heart all happy. More new additions to the story with Frank and Hazel with their cute friendship with Percy once again just adds more depth to this story. Every new character is so unique, and adds something new and specific to the story, if anyone is tossing up whether they are going to read this series after finishing Percy Jackson, you definitely should! It only gets better and better! I’m keeping these reviews short and sweet, because I don’t want to ruin anything for the earlier books. If you ever want a spoiler review of any of these books just let me know on my instagram or in the comments! As always, you can find me on Instagram @kell_read where I post lots of pics, videos and reviews ✨

Review: Lore Olympus Volume One by Rachel Smythe

★★★★★ - if you haven’t read this, take this as your sign to start the webtoon (for free!) right now!


Lore Olympus by Rachel Smythe is different to my usual reads, and yet it is very VERY on brand as well. Lore Olympus is a graphic novel that was initially published on WEBTOON and is now being published in physical format. Volume One only includes episodes 1-25 but Rachel is continuously uploading new episodes online (and is currently at episode 181). Lore Olympus is a contemporary retelling of the myth of Hades and Persephone from Greek Mythology, in a stunning and unique graphic novel format. Let me tell you, it is absolutely wonderful.

Okay, lets start with a recap on the myth of Persephone and Hades (remember, there are a bunch of different sources all with contradictory information, this is just a quick rundown of the general myth). Persephone (initially known as Kore) is the daughter of the Olympian goddess of Agriculture, Demeter. Persephone is the goddess of spring, but one day she is abducted by Hades (the god of the underworld) who has fallen in love with her when he saw her picking flowers in a meadow, and eventually becomes the queen of the underworld and wife of Hades. In some versions, Zeus gives permission for the abduction… During her abduction, Demeter is going crazy looking for her, and enlists the help of a number of gods (including Helios, sometimes Hermes and Hecate who gives her torches to help find Persephone). Demeter finds her daughter, but Persephone has eaten a pomegranate seed from the underworld and the rule is once you eat something from the realm of the underworld, you can’t leave. So, Hades and Demeter strike up a deal that Persephone will spend either a half or a third of the year (depending on your source material) in the underworld, and the other portion in the upper world. It is widely accepted that this myth was the explanation of the changing of the seasons - with the time Persephone as in the underworld as the time of Autumn and Winter when the crops die.

Okay, back to Lore Olympus. Rachel Smythe has put the Ancient Greek gods into a semi-contemporary world, with Olympus being very modern, and the mortal realm (Earth) being very Ancient-Greek-esq in style. This first volume follows Persephone and Hades meeting for the first time, and introduces many central events, relationships and characters like Minthe, Demeter, Hecate, Hermes, Artemis, Apollo, Zeus and Hera. The art style is absolutely breathtaking, each god/goddess has it’s own colour, with Persephone being pink, Hades as blue and Artemis (and her twin brother Apollo) as purple etc. It is a really distinctive style, and is a really unique way to differentiate characters (and I can only assume would make it easier for readers who aren’t familiar with Greek mythology to keep the characters straight). The story is a wonderful combination of the Ancient Greek myth in a modern setting which includes scandal, gossip and wild parties but also facets of Ancient Greek myth and culture. There is some potentially triggering content in this first volume which continues through the WEBTOON, by Smythe has added a content warning tp the beginning of the book ad adds content warnings prior to potentially triggering episodes online which is really great to see.

So basically, I love this graphic novel. It is such a wonderful combination of old and new in a really beautiful art style - once you start reading you will not be able to stop. I literally cannot believe it took me so long to start reading this, but you can best believe I’ve been reading it whenever I’ve had the chance since finishing this book.

Review: Venus & Aphrodite: History of a Goddess by Bettany Hughes

★★★★☆.5 I am only now getting into reading non-fiction books for fun, and not for uni or work so I’m still working on how I feel about rating them. With that being said, overall I really enjoyed reading this book.


What's the book about?

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Venus & Aphrodite: History of a Goddess by Bettany Hughes is a light, easy read which follows the history of the goddess best known as Venus or Aphrodite, from her beginnings to the modern reception of the goddess. Using archaeological evidence with textual sources and more recent artworks and literature, Bettany traces the origins of the goddess of love, and both her movements and developments through history.

As some will know, Aphrodite is the Ancient Greek goddess of love, desire, beauty and sexuality, and Venus is the Roman counterpart to Aphrodite, and held dominion over fertility, prostitution and victory. However, as Bettany delves into in the first few chapters of her book, Aphrodite didn’t just appear in the artwork and literature of Ancient Greece suddenly, but evolved from both the Cypriot spirit of procreation and fertility, as well as the Near Eastern goddesses of war Inanna, Astarte and Ishtar. Beginning from both the mythological beginnings of Aphrodite (with the castration of Ouranos, and the goddess emerging from the sea foam caused by the god’s genitals falling into the ocean), as well as the archaeological beginnings, and moving all the way through the renaissance depictions and the morphing of her dominions and depictions through to the modern-day, Bettany has provided an accessible and easy to read guide to the goddess and her history.

“A potent idea, given a name and a face across five millennia, this deity is the incarnation of fear as well as love, of pain as well as pleasure, of the agony and ecstasy of desire”

thoughts and feelings

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From the very first page, I knew this was going to be a far easier read than I was initially anticipating. Bettany has written this book as if she was just chatting to a mate, and honestly, I loved that. Although it initially caught me off guard, it made it so much more appealing, and tempted me to pick it up more often knowing that the language used was easygoing. The colloquial language, however, doesn’t take away from the importance of this goddess, and her significance throughout history, especially in ancient civilisations. What Bettany has done, is a thorough investigation on the goddess, and then turned that hard evidence into a book that is easily understood and accessible to anyone. Bettany has achieved the goal of bringing archaeological and historical facts into the world in an easy to read and enjoyable book, and I love it! Her addition of images throughout the book, both in black and white dispersed through the book, and in the middle which is full of coloured images, makes it all the more interesting, especially in the discussions around the changes in the physical depictions of the goddess.

“It [desire] is the life force that spurs us on to do, to be, to think.”

I love that it was a short, easy read. It means that there’s a far better chance that more people will pick it up (and I love the idea that the ancient world is becoming something more open and available). But, some points Bettany made, I felt like I wanted more evidence that backed up her conclusion. I am sure that she has done her research, and I don’t doubt any of the statements or conclusions she has come to in this fascinating history, but I would have loved just a bit more depth into some of the evidence (whether it be archaeological or textual), that she has used to form her conclusions. In saying that, I always want more out of my books, and I commend her for making this book so full of information, and yet so easy to read.

I definitely feel like the goddess Aphrodite/Venus has been simplified into the goddess of sex and desire with little substance, and this book is out here to remind the world that she is so much more. Bettany explores the goddesses roots in the war-goddesses of the Near East (Inanna, Ishtar and Astarte), and brings to the forefront the seemingly contradictory beginnings of this goddess through love, desire and war. This book details just how much the attitudes towards the goddess has developed throughout the millennia, and what her body and her symbols have meant throughout the years. The complexities of Aphrodite/Venus have been written and painted out of history in the last thousand years, and this book is bringing back the intricacy of this goddess, which will hopefully culminate in the respect and adoration she deserves.

Have you read Venus & Aphrodite: History of a Goddess by Bettany Hughes? What did you think of it? I would love to chat about this book, either in the comments below, or find me over on Instagram @kell_read.

Review: A Game of Fate by Scarlett St. Clair

★★★★☆.5 I enjoyed Hades point of view more than Persephone’s. Although, the narrator took a bit to get used to.


Scarlett St. Clair’s series on Hades and Persephone is like a jigsaw puzzle, and each book you read, you get a bit more clarity on who these characters are. In case you aren’t familiar with Scarlett’s series, she has published three books from Persephone’s point of view (A Touch of Darkness, A Touch of Ruin and a Touch of Malice - the third one I have yet to read), and she is also writing the same stories from Hades point of view (A Game of Fate, A Game of Retribution and A Game of Gods - only the first of these three are out in the world). Then, the final book, A Touch of Chaos, will be the final book with both of their perspectives. Now, I know you may be thinking, wouldn’t that be a bit repetitive reading the exact same book from the other main characters point of view? And may I say that it never felt repetitive. Reading this book felt like a fresh look at a story I was familiar with, but in such a different way it felt like an entirely different story entirely. It's hard to explain, but if you’re worried that it’ll get repetitive, it doesn’t.

“What is evil to one is a fight for freedom to another.”

I really enjoyed reading this book from Hades point of view. A lot of this story from Persephone’s point of view made me frustrated because of how bad they were at communicating with each other, but having Hades’ thoughts on each interaction sort of cleared any annoyance I was feeling towards them, because now I have both sides. Being privy to each of their thoughts is such a special thing as a reader, and it’s something I would love to see more authors do.

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One of the best things about having a whole book from Hades point of view, is for his inner thoughts on his progressing relationship with Persephone, and a new insight into the world of the gods that we don’t get with Persephone. Persephone is the daughter of Demeter, but none of the other gods know who she is or that she is a goddess. So, in Persephone’s books, we get her life in the mortal world, detached from the issues and antics of the gods (and there are a lot). With Hades, however, we get to see most of the olympians in this book, and we get an early glimpse into their relationships and issues that will surely be a larger part of later books. This book shows us that Hades is so much more than the god of the underworld who owns a nightclub. He deals with so much behind the scenes that Persephone doesn’t get to see, and you start to understand the layers to the god in this book.

I loved the dynamic between Hades, Hecate and Hermes. There is both a mutual respect and a deep friendship between the three of them, even though Hermes is like an annoying little brother (well… nephew) to Hades. They have all been living for thousands of years, and you could really feel the depth of their relationships, and the history between them all which I loved. Hades and Hecate are such a fun duo, and any scene that had them in it were always super enjoyable to read. And of course, every appearance Hermes makes reminds me of why he is my absolute favourite character in this series.

“Don’t ruin this for me. I might be dreaming, but I’m about to live out one of my top five fantasies—” Hades slapped the god, who looked shocked. “This isn’t a dream, Hermes.” They stared at one another, and in the silence, Hades raised a brow. “Top five, huh?”

This series created by Scarlett St. Clair is so much fun. She has obviously done A LOT of research on Greek mythology, and then used it to inform her urban setting, and her interpretation of the characters. I absolutely loved listening to this, and I am super keen to sink my teeth into A Touch of Malice!

Review: Ariadne by Jennifer Saint

★★★★★ (Either 5 stars or 4.75… either way, this book was brilliant!) Head to the end of my review to find my interview with Jennifer Saint with World History Encyclopedia! After you’ve finished watching my interview with Jennifer, I would recommend you then head over to Erica’s YouTube channel MoanInc, where she has built off the questions I asked, and delved even deeper into the story with Jennifer which you can find here!

Ariadne by Jennifer Saint was a hugely anticipated read for me this year, even more so after I saw the beautiful cover art for both editions. So to say I was excited to read this one is an understatement, especially due to my obsession with Greek Mythology and women in the ancient world. I am very happy to say I was not disappointed. If you aren’t familiar with the myths of Ariadne, Phaedra, Theseus and the Minotaur, then this will spoil those for you. Since the book follows the myths very closely, this review details the core myths used in Ariadne, and then my thoughts on the book below will mention key points from the myth which will spoil it for you if you aren’t familiar with it!

Mythological Inspiration (this is a long one…)

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Let’s start with the mythology Ariadne is based off. As the title suggests, our main focus of the book is Ariadne, although I was pleasantly surprised that in Part Two and Three of the book (it’s split into four parts), we also get the point of view of Ariadne’s little sister Phaedra. Ariadne and Phaedra were daughters of King Minos of Crete, a son of Zeus, and his wife Pasiphäe who was a daughter of the Titan-god of the sun, Helios. When the ruler of Crete, Aseterion, died, the three sons of his wife Europa with Zeus; Minos, Sarpedon, and Rhadamanthus all wanted to be king. Minos claimed he had support from the gods to become king of Crete, and so he said that if he sacrificed and prayed to the gods for anything, they would fulfil the wish. So, Minos sacrificed to Poseidon and asked him to send a bull from the sea, and that if Poseidon did this, Minos would sacrifice the bull to the god. Poseidon sent the magnificent bull, and Minos’ claim was supported. However, when Minos saw the bull and how magnificent it was, he couldn’t bring himself to sacrifice it, and so he kept the bull for himself and sacrificed one of his regular bulls instead, in the hopes that he could trick Poseidon.

Your coronet will guide sailors to safety through the labyrinth of the treacherous seas. Women will look to it for a sing of comfort, a light in the darkness. Children will whisper their wishes to it before the close their eyes to dream. It will stay there, fast and true, for all time. (pg. 239)

Obviously, Poseidon knew exactly what Minos had done and so he plotted to punish Minos for his hubris. The punishment of Minos was done through his wife, Pasiphäe. In some accounts it’s enacted by Poseidon, in some it is by Aphrodite (or Venus in Roman texts) because Pasiphäe hadn’t shown the proper piety to the goddess, and in some Poseidon seeks the help of Aphrodite in the punishment. Whichever myth you read, it ends the same, Pasiphäe is sent an all consuming desire for the bull, and so she seeks the help of Daedalus the inventor. Daedalus constructs Pasiphäe a wooden cow covered in a real cow hide, and so she hid in the contraption and lay with the bull, since it thought that the wooden cow was real. From this union, Pasiphäe became pregnant with the Minotaur who was half human, half cow, and she named him Asterion.

The birth of the Minotaur brought shame to the family, and although Pasiphäe cared for it when it was younger, the Minotaur grew monstrous and ferocious, and his hunger was only satiated with human flesh. To hold the creature, Minos had Daedalus create the Labyrinth underneath the palatial centre at Knossos where the Minotaur lived. There was still the issue of how to keep the Minotaur fed, but after Minos’ son Androgeos was killed in Athens, Minos blamed the Athenians for his death and so requested 7 young boys and 7 young girls every nine years (or every year depending o the source), which he would feed to the Minotaur in punishment for the death of his son. In the third round of tributes, Theseus the prince of Athens volunteered as one of the tributes. When he arrived on Crete, both Ariadne and Phaedra fell in love with Theseus, and so Ariadne sought out Daedalus to help save Theseus. Ariadne gave Theseus a ball of string so that he could find his way out of the Labyrinth. Theseus successfully killed the Minotaur, and then left Crete with Ariadne and Phaedra. On the way home, Theseus abandons Ariadne on the island of Naxos, and takes Phaedra as his wife. Ariadne becomes the wife of Dionysus, and Phaedra becomes the Queen of Athens until she falls in love with her stepson Hippolytus, which does not end well for either her or the youth.

So there you have it, the most condensed version of the myth I could possibly write. If you want a more in-depth article about the myth, check out World History Encyclopedia’s article on The Minotaur!

… but also by the terrible truth that she had sacrificed everything she knew for a love as ephemeral and transient as the rainbows that glimmered through the sea spray. (pg. 1)

Thoughts and Feelings

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I have been finding it hard to put my thoughts about this book into coherent sentences, so much so that I’ve taken a few days since finishing it to let it settle before sitting down to write this review. Let’s start off with some general thoughts on Ariadne. The first thing that struck me when reading this book was the writing, it’s absolutely beautiful. Saint’s writing style is lyrical and poetic, and it has given me the same feeling as Madeline Miller’s Circe. The amount of tabs I used for this book is just insane, and it was primarily so I could go back to the sentences that were so beautiful and striking. I thought the descriptive language lended itself well to the story, as it is quite a slow burn. If you are looking for action, then this is not the book for you. I would have liked a little bit more dialogue to help the story move a bit, but when we did get dialogue, Saint made it count. It strikes me as very similar to Greek Tragedy in the sense that any action or violence is never shown, but rather told. You don’t actually read about Theseus killing the Minotaur, but when he exits the labyrinth with the other tributes, you know that a bloody fight has just occurred.

I know that human life shines more brightly because it is but a shimmering candle against an eternity of darkness and it can be extinguished with the faintest breeze. (pg. 229)

The book is split into four parts; the first and fourth part are from Ariadne’s point of view, and in parts two and three, we get both Ariadne and Phaedra’s point of view. Having dual perspectives in this novel was such a brilliant way to tell this story, especially since Phaedra essentially lived the life Ariadne dreamed for herself, the second she locked eyes with Theseus. This book was full of hints to the long history of Greek epic poetry, such as the reuse of epithets commonly seen in Homer’s Iliad and Odyssey. My favourite, and one that popped up a lot was ‘rosy-fingered dawn,’ which could be found rewritten numerous time in ways such as ‘the rosy fingers of dawn’ (15). You also have the bee pendant given to Ariadne from Daedalus, which can only be inspired by the Minoan gold bee pendant found in the site of Malia on Crete, as well as mentions of the labrys, also known as a double axe which is a very common symbol and artefact found in Minoan sites and contexts. Any time an author intertwines archaeological aspects into a retelling or reimagining of a myth, I automatically like it more.

One very prevalent theme throughout this retelling is the inherent unfairness there was in being a woman in the world of the gods, and in Ancient Greece in general. Furthermore, this idea of women being punished for the actions of men is commented on by Ariadne as early as page 15 with her thought ‘however blameless a life we led, the passions and the greed of men could bring us to ruin, and there was nothing we could do.’ The myths of women such as Scylla who betrayed her father to help Minos, and who was then killed by Minos for her treachery, of Io who was turned into a cow to ‘save’ her from Hera’s wrath after she slept with Zeus, of Semele who was tricked by Hera into forcing Zeus to show her his divine self which then promptly killed her, of Medusa who was turned into a monster with snakes for hair and a look which could kill after being raped by Poseidon, were all brought up time and again in this book, as an emphasis of how women were punished for the follies of men, and I wish Ariadne learnt from these stories. Of course, the myth had to play out, but by having those myths mentioned throughout the story makes it all the more clear how helpless the lives of women were.

I wondered what it felt like; to command the respect of people who had not seen you for years and knew nothing of you except that you were the son, rather than the daughter, of the King. (Phaedra, pg. 152)

This book was very character driven, and I was loving every minute of it. We pretty much get the entire life of Ariadne and Phaedra from their childhood until the day they die in 386 pages, so naturally, their development and growth was a huge part of the narrative. Ariadne was always quite self aware, she knew the consequence of her actions, but she was so naive to assume that everyone else (ahem, Theseus), was as trustworthy as she was. Her character fluctuated between being a relatively naive woman who let things happen to her, to being this strong, courageous woman who did what she wanted for herself. The inconstancies of her character made her all the more human to me, and a loved reading through her life, and the ways which Saint interpreted her life on Naxos with her children and the Maenads. Having the dual perspective of Ariadne and Phaedra was such a great way to show the contrasting lives of the sisters, and how they grew up so differently. The most striking contrast for me was the way in which the two women dealt with becoming mothers and their feelings towards their children. It was haunting, and their different experiences has really stuck with me. This is similar to their relationships with their husbands, Dionysus and Theseus. Dionysus is the god of wine, and the fact that he is a god and has married a mortal is your first sign that this cannot stay so perfect. His development was one of my favourite parts of this book, it was so intriguing to read how the following of mortals in his rites affected him, and consequently his relationship with Ariadne and their children. In contrast, Phaedra and Theseus were never in love, and Phaedra lived a lonely existence as the Queen of Athens. Being in her head as she meets this innocent, pure and outwardly kind man, Hippolytus, really casts her story with Hippolytus in a different light than what we get from primary sources. It was fascinating and tragic, and I loved it. This brings me to Theseus, the opposite to Hippolytus in every way possible. He was obsessed with being a hero, and so I thought that the early description of his ‘cold green eyes’ hints to his cold and cunning soul. He doesn’t care for anyone other than himself, and his lies and manipulation was all calculated and without a second thought for anyone else’s feelings, but only for how it would help him become a greater hero. I really liked the way he was portrayed in this book, but I have a feeling that might change after reading some primary sources of the myth of Ariadne and Theseus.

I will be coming back to this review after I have read 1. The Library of Greek Mythology (also known as the Bibliotheca) by Apollodorus and 2. Plutarch’s Parallel Lives: Comparison of Theseus and Romulus because I’m interested to see how my opinions change about the character of Theseus and Ariadne after reading a couple of primary sources on him. I am also having an interview with Jennifer Saint which I am so excited about, so after I have published that video, I’ll be sure to link it here so you can check that out! The transcription of my interview with Jennifer has been posted to World History Encyclopedia which you can read here! Have you read Ariadne? I would love to hear your thoughts on it either in the comments or find me over on Instagram @kell_read!

April Wrap-Up 2021

★★★☆☆.75

★★★☆☆.75

May 1st! It’s the last month of Autumn in Australia already, how absolutely bonkers. What a whirlwind April was! I feel like I was so busy for the entire month, I blinked on April 1st and found myself at May 1st. It was a great month for me, life-wise and reading-wise. Here’s the thing with me, if I read just one book, or I start a book that’s been on my tbr for a while, or I read a book I really like, that’s a good reading month for me. It isn’t about how many books I read but about how much I enjoy the time I have spent reading. With that in mind, let’s get on to my wrap-up for April 2021! This month was all about Greek Mythology reimaginings, and I was all for it! I read a total of four books this month, two of them audiobooks, one hardback and one paperback.

★★★☆☆.5

★★★☆☆.5

The first book I finished was the audiobook of A Touch of Darkness by Scarlett St. Clair. A Touch of Darkness is a retelling of the Greek myth of Hades and Persephone, but Scarlett has brought it into an urban setting. This book was steamy and binge-worthy and I was absolutely hooked the moment I started listening to it (although the narrator was much more bearable once I got it on 1.2x speed). At its heart, this book is the story of the abduction of Persephone (the goddess of spring) by Hades (the god of the underworld), but Scarlett imbued it with a new life. She has created an alternative world that is so unique, and she has depicted the gods and their stories in new and interesting ways. Persephone annoyed me a lot whilst reading this (and the next one too), but after watching Scarlett’s interview with Erica from MoanInc, I understand her thought processes and motivations better now. This book was like a reality TV show in book form, with roots in Greek myth and legend and I really enjoyed it! I would recommend this (very raunchy series) to all lovers of Greek mythology who are looking for something a bit different! You can read my full spoiler-free review here!

★★★★☆

★★★★☆

My second read of the month was The Book of Five Rings by Miyamoto Musashi and translated by William Scott Wilson. This was a bit of a different read for me, as it’s a manifesto written by the undefeated samurai Musashi, at the end of his life. The Book of Five Rings goes through the Ways needed to learn and master in order to become the best samurai possible, but some of the lessons can definitely be transferred to everyday life. It was a fascinating read, written by an incredibly interesting person from Japanese history, and I thought the translation by William Scott Wilson was easy to read. Find my full review of this book here!

My third read for the month was A Touch of Ruin by Scarlett St. Clair which was, again, in audiobook format. I actually enjoyed this one more than the first one, even though we definitely didn’t get enough Hecate. We did get more Hermes (my ultimate favourite character), and some new gods took more of the spotlight than the first book, namely Apollo. I’ve heard that I need to read A Game of Fate, which is the first book from Hades’ point of view, to understand more about his motives and perspective, and I’m really excited to read it, especially because he was sort of absent in this book? Understanding more about Scarlett and her choices when writing the perspective of Persephone has caused me to warm a bit more to her POV, but I’m sure I’ll enjoy Hades’ perspective more 😂 Anyway, my opinions on this series are sort of chaotic but it’s safe to say they are still VERY steamy, unique and overall, enjoyable reads!

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★★★★☆

The final book I read for the month of April was Lore by Alexandra Bracken. Similar to A Touch of Darkness, Bracken brought Greek Mythology into an urban setting, but most notably, Bracken brought them into our world. I have NEVER read a book quite like this before. For a week every seven years, 9 of the 12 Olympians are sent to earth and turned mortal, and the bloodlines of many greek heroes such as Perseus, Kadmos and Heracles hunt down the gods and if you kill them, you become the new god and assume their power. This book only covers one week, and it was a wild ride from start to finish. I really enjoyed this book, and I had A LOT of opinions and thoughts about it, which you can read all about here! Lore was definitely my favourite read of the month!

This month I also posted a couple of different blog posts, one on the Mycenaeans and one on Greek Mythology and where to begin if you want to start learning about it. I decided to write the ‘So you Want to Learn About Greek Mythology’ post after chatting to some friends about what a good place to start would be if you’re just beginning to learn about Greek myths, and also because I FINALLY started reading the Odyssey. You guys really seemed to enjoy those posts, so thank you so much for reading them and engaging with my posts on Instagram, really means a lot! Let me know in the comments (or on my insta) what your favourite book of April was, and if you have any requests for guides like my Greek mythology post, or topics for bite-sized ancient history!

So you want to learn about Greek Mythology?

Hey friends, and welcome to a different kind of post! I recently made a video for work called The 12 Olympians: The Gods and Goddesses of Ancient Greek Mythology and for me, I had so much fun writing and filming it, and it was probably because I was already really familiar with the stories from Greek Mythology. I thought to myself, this would be a good place to start for people who are just starting to get into the wealth of stories that Greek mythology has to offer, but where should they go from there? So, this is a little post with some book recommendations for people who want to learn about Greek mythology but have no idea where to start, or are a bit overwhelmed with the number of books out there! I am absolutely going to be drawing on my own experiences from learning about Greek mythology, so if you have any suggestions or helpful tips for those people who want to learn more, please leave a comment down below!!

Books to Read (Fiction!)

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I know this may sound weird, but the place I started on my journey to learning about Greek mythology and becoming completely obsessed with it was Percy Jackson. Unlike many other people, I didn’t read this until I was about 15 or16, and honestly, I wish I had read it sooner. Not because I thought that it was too young for me (I still adore it), but because it meant I would have been exposed to the world of Greek myths far sooner. The Percy Jackson series by Rick Riordan is the place I’d start for anyone wanting to dip their toe into Greek mythology. It’s a 5 book series but they’re all pretty short, easy to read and very entertaining. But, while you’re reading about Percy, Annabeth and Grover go on quests, you’re actually being exposed to a lot of the core gods, monsters and myths of Greek mythology. So much of these books were inspired by myths, and once you finish this series, you will be familiar with the basic family tree of the Greek gods (well, as familiar as a person could be with that incestuous mess), as well as key monsters and stories which you will find in the ancient sources such as the Odyssey by Homer and Hesiod’s Theogony and Works and Days. If you’re looking for more of a Young Adult book with a bit of action, then I would recommend giving Lore by Aexandra Bracken a read. It isn’t as full of Greek stories as the Percy Jackson series is, but you do still get a good glimpse into some of the beliefs of the ancient greeks, and specifically the myths of the goddess Athena. Along these same lines would be A Touch of Darkness by Scarlett St. Clair (definitely more of an adult book), which is a re-imagining of the myth of Hades and Persephone, but it’s set in an alternate, urban setting. These books are fun, but also dive into a bunch of different myths concerning the goddess Persephone, the god Hades and a bunch others!

Online resources (Articles, Videos and Podcasts!)

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This is the part of this blog post where I’m just going to hype up the company I have the pleasure to work for, as well as some of my friends who are doing an amazing job bringing Greek mythology and history to a modern audience, and making it accessible! Online resources are so handy, especially since they’re easily accessible and more often than not, they’re free! If you’d prefer to read some stuff, then I would recommend World History Encyclopedia (I am biased because I work for them, but they also do amazing work.) You can find an introductory article here on Greek Mythology which is such a great place to start, and from there you can find articles on all the main gods, goddesses, myths and legends! If you’re more of a video lover, then you’re in luck because we publish youtube videos twice a week, and so far we have published this video on the 12 Olympians, a video all about Hermes, a video on Artemis, and a bunch more! If you’re looking for some fun videos that combine cute makeup looks with greek myths, then you should definitely check out Hannah’s videos on YouTube! I LOVE her videos on the myths of Persephone and Hades, and Echo and Narcissus, they’re short and sweet, easy to follow and end up with a super cute makeup look! Finally, your one-stop-shop for videos on mythology, ancient history, philosophers, as well as interviews and book reviews is Erica’s incredible website Moan Inc. You can find Erica and Moan on Instagram, Youtube, podcasts and via her website, and she’s working so hard to bring the ancient world to a modern audience in an engaging and fun way!


Where to Next? Ancient Epics, Texts and Retellings!

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Looking for something a bit more challenging? Already know the basics and you’re ready to dive in deeper? I would definitely recommend beginning with Hesiod’s Theogony and Works and Days. It’s a really short read, and although it’s an ancient text, it’s easy to read and is a great intro to the beliefs of the ancient Greeks. If you want to know a bit more about Theogony and Works and Days you can have a look at my review here! From here, I would then recommend The Library of Greek Mythology (also known as Bibliotheca) by Pseudo-Apollodorus. It reads very similarly to Theogony and Works and Days, but it’s a bit longer and delves deeper into the stories and myths of Greek Mythology, and you will find the stories of heroes such as Heracles, Theseus and Jason. Then, of course, you have the epic poems the Iliad and the Odyssey by Homer! I would personally recommend the E.V. Rieu translation of these two which are written in prose but still keep their poetic roots, and they’re super easy to read for stories that are over 2000 years old. You can read my thoughts on the Iliad here! Just remember, every translation is different, so if you’re not clicking with the first translation you try, pick up a different one! If you’re a fan of theatre, then reading Ancient Greek theatre is an awesome way to become familiar with some of the important figures and stories from Greek myths, and even though only a handful survive from what would have been hundreds of plays, we still have plays about some of the most interesting figures from Greek mythology such as Medea, Jason, Antigone, Oedipus, Agamemnon, Clytemnestra, Orestes and Electra (just to name a few!) They’re definitely easier to read than something like Shakespeare, and many editions now give you fantastic commentary and background info on the plays! My favourites are Medea by Euripides, Antigone by Sophocles and the Oresteia by Aeschylus. One thing I’ve noticed particularly in the past year or so is a HUGE boom in retellings, especially feminist retellings or retellings from female points of view. This surge in retellings seems to have been pioneered by Madeline Miller with her books The Song of Achilles and Circe, which are both brilliant, but if you’re just starting to dip your toe into Greek mythology, give Stephen Fry’s books Mythos, Heroes and Troy a go! Fry has such an entertaining way of retelling the myths but making them feel new - and, his somewhat linear narrative of the foundational Greek myths in Mythos is truly a massive feat. I would definitely recommend Mythos as an easy and enjoyable first step in learning about Greek mythology. If you’re interested in reading Classical Greek stories from a females point of view, I have a bunch on my TBR pile which include Natalie Haynes’ A Thousand Ships, Pandora’s Jar and The Children of Jocasta, as well as Pat Barker’s Silence of the Girls and Jennifer Saint’s Ariadne. I haven’t read some of these yet, but I can only assume it would be helpful to come into them with a bit of a basis for the original stories and texts, so maybe hit these types of books once you’re nice and familiar with the core gods, goddesses, myths and monsters of Greek mythology.

Hopefully I have given you everything you could possibly need to start your journey with Greek mythology! As noted, this is from my personal experience, so if you have any book recommendations or tips on getting familiar with Greek mythology then please, leave a comment below or reach out on instagram where you can find me at @kell_read!

Review: Lore by Alexandra Bracken

★★★★☆

Lore by Alexandra Bracken was described to me as a Greek Mythology x Hunger Games vibe, and honestly, after reading it, I agree wholeheartedly. Every seven years, nine of the 12 Olympians are turned mortal and sent to earth for one week, in an event called the Agon. During the Agon, the mortal bloodlines of infamous Greek heroes such as Perseus, Odysseus, and Achilles hunt the gods, and if they kill one, they assume the gods’ immortality and power. Lore Perseous left that life many years ago, but when her friend Castor (whom she assumed was dead) and a gravely injured Athena both turn up in her life at the beginning of the Agon, she is thrust back into the world she truly hoped she had left for good.

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I always find it easier to talk about things that I didn’t like (I don’t know why that is), but for this book, there was only a couple of things, so let’s start with them! The first was the writing itself, every now and then Bracken would write something like ‘half-past eleven o’clock,’ and I feel like the ‘o’clock’ just feels off-kilter. Also, there were a number of instances where I had to re-read a sentence because the phrasing just didn’t make any sense to me. I would also say that it’s quite a long book (my edition is 547 pages), but it only covers 7 days in total (although there are flashbacks throughout the story). I had a recommendation from Erica that it isn’t a book you can draw out, it’s best read in as little sittings as possible, and honestly, I agree! I read the first 270 pages in around three weeks, and the last 270 pages in about 5 hours, and I enjoyed the second half of the book more than I enjoyed the first half! I would have LOVED more to do with the new gods, I feel like they could have taken more space in this story than they did. I also feel like this book could have been improved with multiple points of view (although to be fair, I think this about most books I read that are only a single POV). Reading parts of this from the eyes of someone like Miles who is ‘unblooded’ and just thrust into this world, or Castor who goes through such an incredible arc could have added a bit more substance into the world building and the Agon.

‘It was a morbid sort of marathon relay, with immortal power as the baton being passed between bloodlines.’ 

Alexandra Bracken

Okay, on to all of the good stuff!! This book was so action-packed, but it never felt overwhelming. This was such a fresh and unique way of bringing Greek gods and Greek mythology into an urban setting, which actually took me a bit to get used to. The idea that the gods could be killed, and then when a human took their powers they also chose a new name for themselves and would be referred to as ‘the new Dionysus’ for example is so different from any other book I’ve read. I loved the fact that Bracken kept this story in the world we know, and if you were from New York, I can only assume that the places and street names mentioned would have been very familiar!

I think one of the things that really struck me was the bloodlines, and their beliefs. These groups of people are all descendants of these ancient heroes, heroes that we would be familiar with, but they’re living in the world we know today. They descend from these great heroes and they believe in the Greek gods, yet their religious practices and social order barely altered in over 2,000 years. I found the contrast between these families believing in archaic systems of men basically owning women, and prohibiting women to be heads of the family or in any position of power, with the modern world which is working SO HARD to disestablish these ideas to be pretty shocking. There is this one scene in one of the flashbacks that literally made my skin crawl. the inequality between men and women that we are still fighting today has been an integrated part of societies for as long as history traces back. We are aware of the lack of choice, of voice, and of freedom that women were given in most (not all) ancient societies and no one today pretends that the way ancient societies functioned wasn’t inherently misogynistic. But reading these antiquated beliefs functioning in the modern world, with most of the characters accepting it because ‘that’s the way their world is’ was much harder than I thought it would be.

‘she was merely reborn as a being who could gaze back at the world, unafraid’

Alexandra Bracken

The occasional banter in this book was such a highlight, plus the way the main characters Lore, Castor, Miles, and Van all converged in a very cute, found family sort of way. The way the four of them all worked together, and worked to each other’s strengths was a dynamic in this story which I really, really enjoyed. Although, I was never really sold on Lore’s friendship with Iro. I just didn’t feel the depth of their relationship like I did with her and Miles, Castor, and even Van. Having Athena as the main god that Lore interacts with was such an interesting choice, one that I really liked. Athena is the goddess of strategic warfare, wisdom, crafts, and defender of cities and towns. Many of her responsibilities lend themselves to the story which played out in Lore, and I thought she was the perfect choice. I thought the character of Lore was so multi-faceted and three-dimensional. Her constant battle between avenging her family, her guilt, her need for survival, her desire for a normal life, and her inability to forget who she is and who she was brought up to be makes this book even more interesting. Reading from the point of view of a character so conflicted was so compelling, and one of the best parts of this book.

“Sometimes the braver thing is to accept help when you've been made to believe you shouldn't need it.”

Alexandra Bracken

At one point, Lore brings up Athena’s history and her tendency to give her favour to male heroes, and, using the example of Medusa, her history of turning her back on women. This was another moment for me where the issues of Greek Mythology came rushing back in stark contrast to the modern world. The story of Medusa isn’t often depicted as a happy one. The beautiful Medusa (one of the three gorgons) was seduced by the god of the oceans, earthquakes, and horses, Poseidon, in a temple to Athena. In retaliation for desecrating her temple, instead of punishing Poseidon, she turned Medusa into a monster with snakes for hair and the ability to turn people to stone with one look. The face of Medusa was depicted on Athena’s shield, known as an Aegis, and is the symbol of the House of Perseus (Lore’s bloodline). The plotlines, character motivations and underlying mythological background interwoven throughout this book keeps you constantly on your toes as more information is revealed. It is an intricate balance of modern life, ancient beliefs, and an epic hunt, and Bracken executed it brilliantly. If you want a book that brings ancient myths, gods, and beliefs into an urban setting like you’ve never seen it before, this is the book for you. If you’ve read it, let me know your thoughts in the comments, or you can find me on Instagram at @kell_read!

Review: A Touch of Ruin by Scarlett St. Clair

★★★★☆

A Touch of Ruin is book 2 in the Hades and Persephone series by Scarlett St. Clair, and, once again, I listened to the audiobook. This time though, I listened to it at 1.2x speed and it was SO MUCH better! The narrator drawled less, and it seemed like there was more enthusiasm in her narration. Whether it’s due to the fact that I sped it up, or if she was just better this time I’m not sure, but if you decide to listen to the audiobook, definitely speed it up! I have been really enjoying listening to books, it’s easy to make notes and the emotion and extra layer of performance you get is so wonderful. Another point here is that this book is written SO WELL! I love the writing style and I would recommend this series to everyone!

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Much like book 1, I still have VERY conflicting emotions with this book (and series). In saying that, this book and whole series so far is incredibly binge-worthy and addictive and I am mildly obsessed with this series 😍 I was hoping that after the events of book one, Persephone would begin to grow as a person, to trust Hades, and continue to improve her communication skills with the man she claims to love. I hoped to see her healing from her mothers’ treatment of her, and growing into her newfound power and position next to Hades. What I got instead was an increasingly annoying, stupid, bratty, and insecure Persephone, who seemed to learn absolutely nothing from the events of Book 1. I can understand the insecurity she continues to feel, she was locked up by her mother for so long, and was taught to believe that she had to work hard for love and affection, and if she did something wrong it would be taken away. I understand how this can mess with a person, but this doesn’t have to make a person PLAIN STUPID?

“The first rule of men, Persephone, is that they’re all idiots.”

Scarlett St. Clair

In the last, maybe 2 chapters did I begin to actually warm to Persephone, but I don’t think she actually learned from any of her mistakes?? (And there were A LOT she could have learned from). I think she feels guilty and feels remorse, but I also think she still feels bad for herself more than actually learning from the mistakes she has made. This brings me to the question of why Hades deals with her? I know that they’re fated to be together blah blah, but they’re both immortal? Why not let her grow up a bit rather than dealing with her absolute crap. Persephone uses 98% of this book to lie to Hades, break the multiple promises she has made to him, and then wonder why he leaves her to her own space? She never gives him the chance to explain himself, and although he makes mistakes, at least he is trying? He has MILLENIA of habits he needs to unlearn, and the fact that Persephone expects him to be perfect within months of meeting is so selfish and self-absorbed. I was really hoping their communication would improve in this one, and that’s one more thing that I didn’t get. I got more weird, passive-aggressive sex scenes and arguments that were never resolved. However, every time Hades asks Persephone if she is well makes my heart melt.

I definitely don’t agree with Jaison’s treatment of Persephone though. Yes, he is Lexa’s boyfriend, but Persephone has been best friends with her for YEARS, and the fact that Jaison is Lexa’s significant other does NOT undermine the relationship between the friends. Like, I’m sorry but his attitude was atrocious and I’m pretty sure he never apologised. I also found this subplot (or actual plot?) quite out of place. This leads me to the issue of the plot? Where was it? Someone tell me where it was, because I have no idea. There was a lot of sex, and there was a lot of brooding and whining but not a lot of actual events or communication. There were a bunch of subplots that I felt were left open, but probably not important enough to be resolved in the next book, and the fact that at one point, Helen was left in the lobby waiting for Persophne and then never mentioned again? I don’t vibe.

“Create the life you want, Persephone, and stop listening to everyone else.”

Scarlett St. Clair

What I DO vibe with, is pretty much all of the secondary characters; Hermes, Hecate, Sybil, Thanatos, and even Apollo. In the beginning, as I’m sure that St. Clair wanted, I felt for Sybil and hated Apollo. Throughout the course of Persephone writing slanderous articles about a god after being specifically asked not to (???), Apollo started to grow on me. I’m not completely sold on the fact that after millennia of being a god and acting how he has, Persephone does like, three things, and Apollo decides he wants to change? But, apart from this, he started to grow on me. Hermes is still 100% my favourite character in this book, he is the sassy comedic relief we really need in this book after pages and pages of constant whining and literally NOTHING HAPPENING. We definitely didn’t get enough of Hecate in this one (thanks to Persephone being so stubborn and ignoring the underworld altogether).

So, with another chaotic review completed, it is safe to say that I will keep reading this series and I TRULY hope that Persephone is redeemed in the next one. Keeping this review non-spoiler was so difficult, especially due to the number of random small subplots sprinkled through the chaotic book (that’s right, I reckon my review and this whole book are both chaotic). I got 2 chapters of bonus content at the end of the audiobook from Hades’ point of view, and I want to read the series from his POV SO BAD! I’ve enjoyed the three chapters I’ve been blessed in his point of view more than I’ve enjoyed most of this book in Persephone’s. If you’ve read this book, what are your thoughts? Did you like it more than book one? Let me know here, or find me over at @kell_read on Instagram!