Review: The Real Valkyrie: The Hidden History of Viking Warrior Women by Nancy Marie Brown

★★★★☆ I was provided this ARC for a review from St. Martin’s Press. You can find my interview with Nancy on Youtube, and a reduced transcription of it on World History Encyclopedia!


IMG_3031.jpg

What’s the book about?

The Real Valkyrie: The Hidden History of Viking Warrior Women by Nancy Marie Brown is, at its core, working to dispel the myth that Viking women stayed at home whilst the Viking men raided and traded. In 2017, DNA tests revealed that the body buried in grave Bj581 outside the Swedish town of Birka between 913 and 980 wasn’t the body of a male Viking warrior as initially assumed, but that of a female in her thirties or forties. Buried with the body was numerous weapons including an axe blade, spearheads a two-edges sword, a sax knife and a short bladed knife as well as a set of game pieces, a whetstone, traders weights, a comb, a bronze bowl and two horses (among other things). The assemblage of this burial initially caused assumption that the body was of a male, and specifically a warrior, but since we now know that it’s a woman buried with this warriors assemblage, Nancy has taken it upon herself to write a book highlighting what feels like all the times women proved their worth in the Viking Age, and the times their strength, cunning and ruthlessness was assumed as myth.

Thoughts on the book

It is obvious that this book was extensively researched. Nancy utilises sagas, poems and epics of the Vikings in conjunction with archaeological and historical evidence to question the way in which females from the Viking Age have been viewed for centuries. Rather than simply providing the evidence that women from the Viking Age have been sorely misremembered thanks to the act of sexing graves by metal, the reflection of Victorian sensibilities of the nineteenth century placed on the Viking Age and the tendency for Icelandic writers of the 12th and 13th centuries (I’m looking at you Snorri Sturluson) to mythologise and generalise the female warriors as valkyries, Nancy merges fiction and solid evidence which captures the readers interest. In order to humanise the skeleton found in Birka, Nancy names the body from Bj581 Hervor, which translates to something like Aware of Battle, after the warrior woman from the old Norse poem Hervor’s Song. Nancy begins each chapter with a fictionalised story, a bit of what Hervor from burial Bj581’s life could have been like, based upon the historical, textual and archaeological evidence provided throughout the book. Nancy not only provides the evidence for warrior women, but then imagines just how a Viking woman could have lived during the time of Bj581’s life. I found it incredibly fascinating and enjoyable to read how the physical evidence may have been interacted with during the Viking Age, in addition to these imagined sections being a breath of fresh air amidst a detailed and well researched book. One thing that annoyed me through this book was when ‘an archaeologist states,’ or an ‘expert historian says…’ I’d LOVE to know which one.

IMG_3032.jpg

Not only does Nancy debunk common beliefs that Viking women were buried with keys which signified their role as housewives, (whereas men were buried with weapons which signified their roles as warriors, raiders and traders), she exposes the bias placed onto the sagas, poems and written sources we have of the Viking Age which were all written a few hundred years after the fact. These biases come from both the values of Victorian society and Christianity, where women were confined to the home. These strict gender lines, as shown through the extensive historical and archaeological evidence provided by Nancy, simply were not there during the Viking Age. Looking at Viking women’s graves alone shows how weapons were more commonplace than keys. I loved the incorporation of other female warriors which we know of from poems as saga’s, as well as historical Viking queens detailed in concurrence with archaeological evidence found throughout the Viking world. Going into detail about clothing, textiles, trade, architecture, boats, social hierarchies, Norse legends, historical and mythological figures and everything in between, no stone is left unturned in this detailed look at the importance of women, their roles and their importance in the Viking world. If you’re interested in relearning everything you think you know about women, queens and female warriors in the Viking Age, then you should definitely pick this book up.

Review: Venus & Aphrodite: History of a Goddess by Bettany Hughes

★★★★☆.5 I am only now getting into reading non-fiction books for fun, and not for uni or work so I’m still working on how I feel about rating them. With that being said, overall I really enjoyed reading this book.


What's the book about?

FullSizeRender 9.jpg

Venus & Aphrodite: History of a Goddess by Bettany Hughes is a light, easy read which follows the history of the goddess best known as Venus or Aphrodite, from her beginnings to the modern reception of the goddess. Using archaeological evidence with textual sources and more recent artworks and literature, Bettany traces the origins of the goddess of love, and both her movements and developments through history.

As some will know, Aphrodite is the Ancient Greek goddess of love, desire, beauty and sexuality, and Venus is the Roman counterpart to Aphrodite, and held dominion over fertility, prostitution and victory. However, as Bettany delves into in the first few chapters of her book, Aphrodite didn’t just appear in the artwork and literature of Ancient Greece suddenly, but evolved from both the Cypriot spirit of procreation and fertility, as well as the Near Eastern goddesses of war Inanna, Astarte and Ishtar. Beginning from both the mythological beginnings of Aphrodite (with the castration of Ouranos, and the goddess emerging from the sea foam caused by the god’s genitals falling into the ocean), as well as the archaeological beginnings, and moving all the way through the renaissance depictions and the morphing of her dominions and depictions through to the modern-day, Bettany has provided an accessible and easy to read guide to the goddess and her history.

“A potent idea, given a name and a face across five millennia, this deity is the incarnation of fear as well as love, of pain as well as pleasure, of the agony and ecstasy of desire”

thoughts and feelings

FullSizeRender 7.jpg

From the very first page, I knew this was going to be a far easier read than I was initially anticipating. Bettany has written this book as if she was just chatting to a mate, and honestly, I loved that. Although it initially caught me off guard, it made it so much more appealing, and tempted me to pick it up more often knowing that the language used was easygoing. The colloquial language, however, doesn’t take away from the importance of this goddess, and her significance throughout history, especially in ancient civilisations. What Bettany has done, is a thorough investigation on the goddess, and then turned that hard evidence into a book that is easily understood and accessible to anyone. Bettany has achieved the goal of bringing archaeological and historical facts into the world in an easy to read and enjoyable book, and I love it! Her addition of images throughout the book, both in black and white dispersed through the book, and in the middle which is full of coloured images, makes it all the more interesting, especially in the discussions around the changes in the physical depictions of the goddess.

“It [desire] is the life force that spurs us on to do, to be, to think.”

I love that it was a short, easy read. It means that there’s a far better chance that more people will pick it up (and I love the idea that the ancient world is becoming something more open and available). But, some points Bettany made, I felt like I wanted more evidence that backed up her conclusion. I am sure that she has done her research, and I don’t doubt any of the statements or conclusions she has come to in this fascinating history, but I would have loved just a bit more depth into some of the evidence (whether it be archaeological or textual), that she has used to form her conclusions. In saying that, I always want more out of my books, and I commend her for making this book so full of information, and yet so easy to read.

I definitely feel like the goddess Aphrodite/Venus has been simplified into the goddess of sex and desire with little substance, and this book is out here to remind the world that she is so much more. Bettany explores the goddesses roots in the war-goddesses of the Near East (Inanna, Ishtar and Astarte), and brings to the forefront the seemingly contradictory beginnings of this goddess through love, desire and war. This book details just how much the attitudes towards the goddess has developed throughout the millennia, and what her body and her symbols have meant throughout the years. The complexities of Aphrodite/Venus have been written and painted out of history in the last thousand years, and this book is bringing back the intricacy of this goddess, which will hopefully culminate in the respect and adoration she deserves.

Have you read Venus & Aphrodite: History of a Goddess by Bettany Hughes? What did you think of it? I would love to chat about this book, either in the comments below, or find me over on Instagram @kell_read.

Review: The Book of Five Rings by Miyamoto Musashi (Translated by William Scott Wilson)

★★★☆☆.5

The Book of Five Rings (translated by William Scott Wilson) is a manifesto written by the undefeated Samurai Miyamoto Musashi. Born in either the Harima Province of Japan or the small village Miyamoto in Mimasaka in 1584, Musashi won his first fight against the swordsman Arima Kihei at just 13 years old. Other than the small amount of information he writes about himself, (literally half a page in his book), everything else we know of this incredibly successful samurai has been pieced together from bits of sources here and there. At the age of 62, in 1645 Musashi died as an undefeated warrior, and not long before his death, he wrote down his Ways. 

FullSizeRender 20-2.jpg

The Book of Five Rings, detailing Musashi’s beliefs and practices of his Way of Truth. The book is really easy to read, and accompanied by an insightful introduction and a great bibliography at the end. Coming into this with no prior information about Japanese samurai culture didn’t feel like a disadvantage after reading the introduction, and the accessible way in which it has been written. It can be understood as Musashi’s guide book on how to be a successful samurai, and hints many times at the things he thinks you should research more thoroughly, or practice consistently. 

The book is split up into five sections ‘The Earth Chapter’ ‘The Water Chapter’ ‘The Fire Chapter’ ‘The Wind Chapter’ and ‘The Emptiness Chapter,’ and each deals with a separate facet of Musashi’s practice and beliefs, known as his ‘Way’. Chapter one is the Earth Chapter and is an introduction into Musashi’s Way, and give an overview of what he is going to cover in the next four chapters. Chapter two is the Water Chapter, which uses water as a model for the mind, and focusses on the swordsmanship of his Way. Musashi detail practical knowledge and tips to holding and handling swods, specifically in his preferred style of the ‘Two-Sword Style. Of course, he takes the time to tell you why his style is the correct one, and why any other style is inferior. Musashi runs through a number of different scenarios and the ways in which you can defeat your opponent. He also stresses the importance of the mind and the body; specifically, the eyes, hands, feet, head, neck, and posture when learning the Ways. The use of a sword is a full-body experience.

"You should consider these principles as though they were discovered from your own mind, and continually make great efforts to make them a physical part of yourself."

Miyamoto Musashi

The Fire Chapter is chapter three, and in this section, he uses fire as an analogy for battle since, like fire, battles can be small or large. This section focusses on the use of your mind in every situation to your advantage. This is also the section in which he explains ways you can use your physical surroundings to your advantage. Where the best place to stand is in regards to the light source, and the strategies to keep in mind when fighting. This is also the section that focusses more on issues that may arise during battles, and different tactics to gain the upper hand, like using fear to your advantage, and working with the rhythm of your opponent. The Wind Chapter is pretty much all about why the other ways of martial arts are wrong, and why his is superior. And finally, The Emptiness Chapter (which is the shortest chapter) was written: "so that you might naturally enter the Way of Truth.”

“Fear resides in all things, and the great of fear is in the unexpected”

Miyamoto Musashi

This book was a VERY interesting read. As I was getting into the rhythm of the writing style and the content of the manifesto, I started to make comparisons to how you can use his rules and tips in your everyday life. One of the sections that resonated with me was ‘Renewel’ in which Musashi writes ‘when you and your opponent are fighting and nothing is going right, nor is there progress, be of mind to throw off your former intention and start entirely anew.’ When I read this I thought of the times that I got in the way of myself, and how switching up a routine or starting something anew after being stuck in a lull gave me a fresh perspective and renewed energy or enthusiasm for a project or task. If you are going to read this, keep an open mind and try and see how you might be able to use some of Musashi’s tips in your own life.

This was a bit of a different read for me, but still really enjoyable! Let me know if you’ve read this, or something similar, or if you have knowledge of the history of samurai’s in Japan! I would love to learn more about this history!