★★★★☆.5| paperback | book six of 2022
If Were Were Villains by M. L. Rio is an extraordinary novel set at a prestigious arts academy called Dellecher. Oliver Marks and his six fellow theatre students are going in to their fourth and final year at Dellecher, and that means they finally get to perform some Shakespearean tragedies. Little did they know that the rivalries, the violence and the tragedy of the plays they were studying would seep into their lives at school. Their fourth year would be their most crucial, and none of them would be left untouched by the goings on of their final year. Oliver and his classmates James, Richard, Alexander, Wren, Filippa and Meredith immerse themselves into the world of Shakespearean tragedy, and as they do their lives turn into a tragedy in ways they could never have foreseen.
The Water, too, was still, and I thought, what liars they are, the sky and the water. Still and calm and clear, like everything was fine. (79)
If We Were Villains is such an intricate, multi faceted read that there is no doubt I will get more from it when I inevitably re-read it in the future. This book made me homesick for a place I had never been, for friends I have never had. The seven main characters were just as unique as they were similar, speaking in a language so like our own, but so very different instead. Their complete infatuation of William Shakespeare, of poetry, of words, creates a whole new world that only they are living and we just get to witness it. After being completely immersed into the world of Shakespeare for three years, it’s no wonder that their roles in the plays have seeped into the real world, creating an intertwined story of fact and fiction.
Our sheer capacity for feeling got to be so unwieldy that we staggered under it, like Atlas with the weight of the world. (249)
This book has been written so beautifully, so thoughtfully. There isn’t a single word that doesn’t have a purpose. I think I was most delighted by the complete immersion of Shakespearean dialogue into the story, as if these characters relaying prose and verse was as easy as breathing. It is as if Rio doesn’t want you to be able to discern between performance and reality, she has often structured dialogue to physically look like you’re reading a play and often the characters seem to be liminal, caught between the characters they have played and the people they have become. This book is so intelligent, so all consuming, even if you aren’t a Shakespeare fan it would be hard not to enjoy or at the very least marvel over the construction of this tale.
For someone who loved words as much as I did, it was amazing how often they failed me. (211)
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